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The First Fleet Piano: Volume Two Appendices »
A Musician’s View
Authored by: Geoffrey Lancaster
Publication date: November 2015
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike.
On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88?
The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history.
View ‘The First Fleet Piano: Volume One’.
The First Fleet Piano: Volume One »
A Musician’s View
Authored by: Geoffrey Lancaster
Publication date: November 2015
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike.
On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88?
The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history.
View ‘The First Fleet Piano: Volume Two Appendices’.
The Social Sciences in the Asian Century »
Publication date: September 2015
In this collection of essays, we reflect on what it means to practise the social sciences in the twenty-first century. The book brings together leading social scientists from the Asia-Pacific region. We argue for the benefit of dialogue between the diverse theories and methods of social sciences in the region, the role of the social sciences in addressing real-world problems, the need to transcend national boundaries in addressing regional problems, and the challenges for an increasingly globalised higher education sector in the twenty-first century. The chapters are a combination of theoretical reflections and locally focused case studies of processes that are embedded in global dynamics and the changing geopolitics of knowledge. In an increasingly connected world, these reflections will be of global relevance.
East Asia Forum Quarterly: Volume 7, Number 3, 2015 »
Publication date: September 2015
East Asia Forum Quarterly grew out of East Asia Forum (EAF) online, which has developed a reputation for providing a platform for the best in Asian analysis, research and policy comment on the Asia Pacific region in world affairs. EAFQ aims to provide a further window onto research in the leading research institutes in Asia and to provide expert comment on current developments within the region. The East Asia Forum Quarterly, like East Asia Forum online, is an initiative of the East Asia Forum (EAF) and its host organisation, the East Asian Bureau of Economic Research (EABER) in the Crawford School of Economics and Government in the College of Asia & the Pacific at The Australian National University.
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Ngapartji Ngapartji »
In turn, in turn: Ego-histoire, Europe and Indigenous Australia
Publication date: November 2014
In this innovative collection, Indigenous and non-Indigenous scholars from Australia and Europe reflect on how their life histories have impacted on their research in Indigenous Australian Studies. Drawing on Pierre Nora’s concept of ego-histoire as an analytical tool to ask historians to apply their methods to themselves, contributors lay open their paths, personal commitments and passion involved in their research. Why are we researching in Indigenous Studies, what has driven our motivations? How have our biographical experiences influenced our research? And how has our research influenced us in our political and individual understanding as scholars and human beings? This collection tries to answer many of these complex questions, seeing them not as merely personal issues but highly relevant to the practice of Indigenous Studies.
I think this rich collection will become a landmark text and a favourite within Australian scholarship. I am keen to see it published so that I can recommend it to others
— Professor Emerita Margaret Allen, Gender Studies and Social Analysis, University of Adelaide
The idea was to explain the link between the history you have made and the history that has made you
— Pierre Nora
Power and International Relations »
Essays in Honour of Coral Bell
Edited by: Desmond Ball, Sheryn Lee
Publication date: November 2014
Coral Mary Bell AO, who died in 2012, was one of the world’s foremost academic experts on international relations, crisis management and alliance diplomacy. This collection of essays by more than a dozen of her friends and colleagues is intended to honour her life and examine her ideas and, through them, her legacy.
Part 1 describes her growing up during the Great Depression and the Second World War, her short-lived sojourn in the Department of External Affairs in Canberra, where she was friends with some of the spies who worked for Moscow, and her academic career over the subsequent six decades, the last three of which were at The Australian National University.
Most of Coral’s academic career was spent in Departments of International Relations. She was disdainful of academic theory, but as discussed in Part 2, she had a very sophisticated understanding of the subject. She was in many ways a Realist, but one for whom agency, in terms of ideas (the beliefs and perceptions of policy-makers) and institutions (including conventions and norms of behaviour), essentially determined events.
Part 3 is concerned with power politics, including such matters as Cold War competitions, crisis management, alliance diplomacy, and US and Australian foreign policies. She recognised that power politics left untrammelled was inevitably catastrophic, and was increasingly attracted to notions of Concerts of Power.
‘Coral would be touched by this collection of essays about her professional and personal life. The contributors offer honest, professional and insightful reviews of her many academic achievements and especially her ideas, many of them the forerunners of others’ work, that makes her one of the very best international relations and strategic thinkers.’
— Dr. Pauline Kerr, Asia-Pacific College of Diplomacy, The Australian National University
‘It’s a rare thing in an international relations expert to possess a balance of theory and experience, history and imagination, realism and hope. Coral had this, and she had a 19th-century prose style to match it. Through her writing she explained the chaos of international events and human affairs in simple and clear language to her baffled compatriots. For the rest of the world, she brought an antipodean temperament and perspective to the great questions of our time; she was our George Kennan in thick glasses, blue floral dress, white sneakers and a string of pearls.’
— Minh Bui Jones, The Lowy Interpreter, 5 October 2012
The Naturalist and his 'Beautiful Islands' »
Charles Morris Woodford in the Western Pacific
Authored by: David Russell Lawrence
Publication date: October 2014
‘I know no place where firm and paternal government would sooner produce beneficial results then in the Solomons … Here is an object worthy indeed the devotion of one’s life’.
Charles Morris Woodford devoted his working life to pursuing this dream, becoming the first British Resident Commissioner in 1897 and remaining in office until 1915, establishing the colonial state almost singlehandedly. His career in the Pacific extended beyond the Solomon Islands. He worked briefly for the Western Pacific High Commission in Fiji, was a temporary consul in Samoa, and travelled as a Government Agent on a small labour vessel returning indentured workers to the Gilbert Islands.
As an independent naturalist he made three successful expeditions to the islands, and even climbed Mt Popomanaseu, the highest mountain in Guadalcanal. However, his natural history collection of over 20,000 specimens, held by the British Museum of Natural History, has not been comprehensively examined. The British Solomon Islands Protectorate was established in order to control the Pacific Labour Trade and to counter possible expansion by French and German colonialists. It remaining an impoverished, largely neglected protectorate in the Western Pacific whose economic importance was large-scale copra production, with its copra considered the second-worst in the world.
This book is a study of Woodford, the man, and what drove his desire to establish a colonial protectorate in the Solomon Islands. In doing so, it also addresses ongoing issues: not so much why the independent state broke down, but how imperfectly it was put together in the first place.
David Russell Lawrence is an anthropologist who has managed environmental programs in Melanesia and Southeast Asia for the Great Barrier Reef Marine Park Authority. His most recent book was a re-examination of the place in Melanesian anthropology of the Finnish sociologist Gunnar Landtman who spent two years working with the Kiwai people of the lower Fly estuary. He recently managed a large-scale survey of 300 communities in the Solomon Islands for the Community Sector Program and has assisted with a number of the annual RAMSI People’s Surveys in the islands. This work has given him insight into the colonial heritage of the Solomon Islands and a desire to tell the story of the establishment of the British Solomon Islands Protectorate through the eyes of the first Resident Commissioner, Charles Morris Woodford.
A Political Memoir of the Anglo-French Condominium of the New Hebrides »
Authored by: Keith Woodward
Publication date: October 2014
Keith Woodward has produced an inside account of the intricacies of official politics in the latter stages of the history of the Anglo-French Condominium of the New Hebrides, which will be essential reading for anyone interested in the colonial period of Vanuatu. Woodward spent 25 years in the New Hebrides (1953 to 1978) based in the British Residency and it is his long service which makes his memoir so informative and important. Following a fascinating and insightful description of Port Vila and the New Hebrides when he arrived in the 1950s, Woodward focuses the rest of his memoir on issues relating to the difficulties the British faced in convincing the French that the two powers should come to an agreement on decolonisation of the New Hebrides—that is, to establish a process of constitutional advancement leading ultimately to independence.
— Howard Van Trease, Honorary Research Fellow, Emalus Campus, University of the South Pacific, Port Vila
This is a highly original, evocative and engaging memoir which offers an insightful firsthand account of colonial administration, bilateral French and British relations, political change and decolonisation in Vanuatu. It addresses some lacunae in the historiography of Vanuatu and dispels a number of assumptions about French intentions there. It will be of great benefit to people interested in Vanuatu, and more broadly in political change in the Pacific, constitutional arrangements, decolonisation, French-British relations, and particularly the divergent colonial policies of France and the United Kingdom.
— Gregory Rawlings, Anthropology, University of Otago
Henry Prinsep's Empire »
Framing a distant colony
Authored by: Malcolm Allbrook
Publication date: September 2014
Henry Prinsep is known as Western Australia’s first Chief Protector of Aborigines in the colonial government of Sir John Forrest, a period which saw the introduction of oppressive laws that dominated the lives of Aboriginal people for most of the 20th century.
But he was also an artist, horse-trader, member of a prominent East India Company family, and everyday citizen, whose identity was formed during his colonial upbringing in India and England. As a creator of Imperial culture, he supported the great men and women of history while he painted, wrote about and photographed the scenes around him. In terms of naked power he was a middle man, perhaps even a small man. His empire is an intensely personal place, a vast network of family and friends from every quarter of the British imperial world, engaged in the common tasks of making a home and a career, while framing new identities, new imaginings and new relationships with each other, Indigenous peoples and fellow colonists. This book traces Henry Prinsep’s life from India to Western Australia and shows how these texts and images illuminate not only Prinsep the man, but the affectionate bonds that endured despite the geographic bounds of empire, and the historical, social, geographic and economic origins of Aboriginal and colonial relationships which are important to this day.
Hesychasm and Art »
The Appearance of New Iconographic Trends in Byzantine and Slavic Lands in the 14th and 15th Centuries
Authored by: Dr Anita Strezova
Publication date: September 2014
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art.
This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.”
Professor Sasha Grishin AM, FAHA
Adjunct Professor of Art History
School of Literature, Languages and Linguistics
The Australian National University