Search titles
Displaying results 21 to 30 of 50.
The First Fleet Piano: Volume One »
A Musician’s View
Authored by: Geoffrey Lancaster
Publication date: November 2015
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike.
On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88?
The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history.
View ‘The First Fleet Piano: Volume Two Appendices’.
craft + design enquiry: issue 7, 2015 »
Landscape, Place and Identity in Craft and Design
Edited by: Kay Lawrence
Publication date: November 2015
craft + design enquiry is an open-access, peer-reviewed journal promoting and disseminating research excellence generated by and about the craft and design sector. craft + design enquiry investigates the contribution that contemporary craft and design makes to society, establishing a dialogue between craft and design practice and cultural, social and environmental concerns. It includes submissions from across the field of craft and design from artists and practitioners, curators, historians, art and cultural theorists, educationalists, museum professionals, philosophers, scientists and others with a stake in the future developments of craft and design.
Download for free
Not available for purchase
Songs of the Empty Place »
The Memorial Poetry of the Foi of the Southern Highlands Province of Papua New Guinea
Authored by: James Weiner, Don Niles
Publication date: July 2015
For 31 months between 1979 and 1995, James F. Weiner conducted anthropological research amongst the Foi people in Southern Highlands Province, Papua New Guinea. This book contains the transcriptions, translations, and descriptions of the songs he recorded.
The texts of women’s sago songs (obedobora), men’s ceremonial songs (sorohabora), and women’s sorohabora are included. Men turn the prosaic content of womenís sago songs into their own sorohabora songs, which are performed the night following large-scale inter-community pig kills, called dawa. While women sing sago songs by themselves, men sing their ceremonial songs in groups of paired men. Women also have their own ceremonial versions of such songs.
The songs are memorial in intent; they are designed to commemorate the lives of men who are no longer living. Most commonly they do so by naming the places the deceased inhabited during his lifetime.
These song texts and translations are introduced by Weiner. Ethnomusicologist Don Niles then brings together information about each type of song and considers these Foi genres in relation to those of neighbouring groups, highlighting aspects of regional performance styles. Consideration is also given to the poetic devices used in Papua New Guinea songs.
Eighteen recordings illustrating the Foi genres discussed in this book are available for download.
It remains uncertain how such songs may be affected by the major oil extraction project that has been undertaken in the region for more than two decades.
This book will interest students of anthropology, ethnomusicology, linguistics, verbal art, aesthetics, and cultural heritage.
Antarctica »
Music, sounds and cultural connections
Publication date: April 2015
This is the first book whose subject is the music, sounds and silences of Antarctica.
From 2011 until 2014, Australia marked its long-standing connection with Antarctica by celebrating the centenary of the Australasian Antarctic Expedition.
The icy continent, with its extremes of climate and environment and unique soundscapes, offers great potential for creative achievements in the world of music and sound. This book demonstrates the intellectual and creative engagement of artists, musicians, scientists and writers. Consciousness of sounds — in particular, musical ones — has not been at the forefront of our aims in polar endeavours, but listening to and appreciating them has been as important there as elsewhere.
Contextualising the Neolithic Occupation of Southern Vietnam »
The Role of Ceramics and Potters at An Son
Authored by: Carmen Sarjeant
Publication date: November 2014
Excavated in 2009, An Son, Long An Province, southern Vietnam has been dated to the second millennium BC, with evidence for neolithic occupation and burials. Very little is known about the neolithic period in southern Vietnam, and the routes and chronology for the appearance of cultivation, domestic animals, and ceramic and lithic technologies associated with sedentary settlements in mainland Southeast Asia are still debated. The ways in which the ceramic material culture at An Son conforms to the wider neolithic expression observed in Southeast Asia is investigated, and local and regional innovations are identified. The An Son ceramic assemblage is discussed in great detail to characterise the neolithic occupation, while considering the nature of craft production, manufacturing methods and the transference of traditions.
Contextualising the neolithic in southern Vietnam is conducted through a comparative study of material culture between An Son and the sites of Bến Ðò, Bình Đa, Cù Lao Rùa, Cái Vạn, Cầu Sắt, Đa Kai, Đình Ông, Lộc Giang, Rạch Lá, Rạch Núi and Suối Linh, all in southern Vietnam. Another analysis is presented to contextualise An Son in the wider neolithic landscape of mainland Southeast Asia, between An Son and Ban Non Wat, early Ban Lum Khao, early Ban Chiang, early Non Nok Tha, Khok Charoen, Tha Kae, Khok Phanom Di, Nong Nor (phase 1), Samrong Sen, Laang Spean, Krek, Bàu Tró, Mán Bạc and Xóm Rền. The aspects of material culture at An Son that appear to have ancestral links are considered in this research as well as local interaction spheres.
Contemporary Asian Art and Exhibitions »
Connectivities and World-making
Edited by: Michelle Antoinette, Caroline Turner
Publication date: October 2014
“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ”
— Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide
This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century.
The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice.
With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo.
Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.
Hesychasm and Art »
The Appearance of New Iconographic Trends in Byzantine and Slavic Lands in the 14th and 15th Centuries
Authored by: Dr Anita Strezova
Publication date: September 2014
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art.
This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.”
Professor Sasha Grishin AM, FAHA
Adjunct Professor of Art History
School of Literature, Languages and Linguistics
The Australian National University
craft + design enquiry: issue 6, 2014 »
Craft • Material • Memory
Edited by: Anne Brennan, Patsy Hely
Publication date: August 2014
craft + design enquiry is an open-access, peer-reviewed journal promoting and disseminating research excellence generated by and about the craft and design sector. craft + design enquiry investigates the contribution that contemporary craft and design makes to society, establishing a dialogue between craft and design practice and cultural, social and environmental concerns. It includes submissions from across the field of craft and design from artists and practitioners, curators, historians, art and cultural theorists, educationalists, museum professionals, philosophers, scientists and others with a stake in the future developments of craft and design.
Download for free
Not available for purchase
Humanities Research: Volume XIX No. 3. 2013 »
One Common Thread: The Musical World of Lament
Edited by: Aaron Corn, Ruth Lee Martin, Di Roy, Stephen Wild
Publication date: September 2013
Humanities Research is an internationally peer-reviewed journal published by the Research School of Humanities at The Australian National University. The Research School of Humanities came into existence in January 2007 and consists of the Humanities Research Centre, Centre for Cross-Cultural Research, National Europe Centre and Australian National Dictionary Centre. Launched in 1997, issues are thematic with guest editors and address important and timely topics across all branches of the humanities.
Download for free
Not available for purchase
craft + design enquiry: issue 5, 2013 »
A World In Making: Cities Craft Design
Edited by: Suzie Attiwill
Publication date: September 2013
craft + design enquiry is an open-access, peer-reviewed journal promoting and disseminating research excellence generated by and about the craft and design sector. craft + design enquiry investigates the contribution that contemporary craft and design makes to society, establishing a dialogue between craft and design practice and cultural, social and environmental concerns. It includes submissions from across the field of craft and design from artists and practitioners, curators, historians, art and cultural theorists, educationalists, museum professionals, philosophers, scientists and others with a stake in the future developments of craft and design.
Download for free
Not available for purchase