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Linguistic Organisation and Native Title »
The Wik Case, Australia
Authored by: Peter Sutton, Kenneth Locke Hale
Publication date: September 2021
Classical Aboriginal societies in Australia have commonly been described in terms of social organisation and local organisation. This book presents rich detail on a third and related domain that has not been given the same kind of attention: linguistic organisation.
Basing their analyses on fieldwork among the Wik peoples of Cape York Peninsula, north Australia, Peter Sutton and Ken Hale show how cosmology, linguistic variation, language prehistory, clan totemic identities, geopolitics, land use and land ownership created a vibrant linguistic organisation in a classical Aboriginal society.
This has been a society long in love with language and languages. Its people have richly imbued the domain of rights and interests in country—the foundations of their native title as recognised in Australian law—with rights and interests in the abundance of languages and dialects given to them at the start of the world.
Creative Frictions »
Arts Leadership, Policy and Practice in Multicultural Australia
Authored by: Cecelia Cmielewski
Publication date: August 2021
Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia’s culturally diverse population. Australia’s increasingly complex society can no longer be confined to ‘essentialised’ or traditional definitions of ethnic communities. While this diversity and its emerging complexity can be ‘celebrated’ as a source of creativity and innovation, it can also give rise to social, political and creative challenges. A key challenge that remains for the arts sector is its ability to support the creative expression of cultural difference. One measure of inclusive creative production is to look at the participation of artists of non–English speaking backgrounds (NESBs)—a problematic term discussed in the book. There are half as many NESB artists compared to those of other professions participating in the workforce, and while under-representation is an issue for management in the arts sector, the question of representation also benefits from being understood more broadly beyond the narrow sense of multiculturalism as a tool to manage cultural difference. This book explores the crucial role of creative leaders and how they work with the ‘mainstream’ while maintaining their creative integrity and independence to generate a ‘virtuous’ circle of change. Creative Frictions argues that it is the NESB artists who lead change in the arts sector and that creative and organisational leadership working in partnership make creative use of ‘friction’ and develop the necessary ‘trust’ to generate the ‘traction’ for a supportive multicultural arts milieu.
Australian Journal of Biography and History: No. 5, 2021 »
Publication date: August 2021
This special issue of the Australian Journal of Biography and History focuses on political biography. The 10 peer-reviewed articles and review essays collectively demonstrate that political biography is growing beyond just ‘one damned life after another’, and that there are new and productive paths open for practitioners, readers and critics of this genre. They offer a critical snapshot of the diverse approaches and attitudes to political biography in contemporary Australia.
Forty years after her first critical examination of the state of political biography in Australia, Kate White makes a bold call for academics to ‘rethink their approach’ by considering novel strategies to ‘move beyond the narrative form’. Blair Williams demonstrates that although increasing numbers of women are writing and practising political biography, there remain few good examples of feminist political biography; more can be done to develop a framework for feminist political biography in Australia. Joshua Black examines the political memoir and diary genres in the broader context of the rise of life writing in the twentieth century, adopting former minister Neal Blewett’s A Cabinet Diary (1999) as a case study. In a sweeping examination of prime ministerial portraiture, Sarah Engledow reconsiders the visual performance of leadership for posterity and, ultimately, questions the biographical utility of such performances. Daniel Oakman delineates the links that politics has to mainstream Australian life via that great staple of popular culture, sport. Chris Wallace in her account of a quietly controversial and eventually abandoned biography of Robert Menzies early in his second prime ministership demonstrates that life stories are powerful but risky commodities in the fast-changing political domain. Similarly, in a methodological reflection on his award-winning biography Tiberius with a Telephone, Patrick Mullins critically explores the concerted attempts of the former prime minister to control and manipulate the public and archival record of his life.
Robert Tickner, the only contributor who was also an elected political practitioner, uses his very personal article to call on others to write political and policy memoirs as a ‘public good’ that helps to encourage the ‘noble enterprise’ of participation in public life. In his analysis of backbencher memoirs, Stephen Wilks calls for more of the foot soldiers of politics—backbenchers, humble and otherwise—to write memoirs as an insight into the working lives of the typical politician, and to explore what wider significance they have as political players. And Tim Rowse and Murray Goot indicate in a powerful review essay that critically examines Warren Mundine’s political memoir In Black + White, political life narratives are implicated in the difficult postcolonial politics of race, representation and recognition.
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Island Encounters »
Timor-Leste from the outside in
Authored by: Lisa Palmer
Publication date: July 2021
Island Encounters is a narrative of Timor shaped by a journey from the outside in. Incorporating the author’s experiences from more than two decades of involvement with Timor-Leste and, more particularly, the months she spent travelling with her family from west to east in 2018, Palmer traces paths redolent in longing and learning, belonging and bewilderment, courage and conviction to tell of an island divided by colonialism and conflict.
The book’s themes shuttle back and forth across the island, weaving together the past, present and future in deeply felt histories and personal stories that create the shared fabric of Timorese people’s lives. Offering a counterpoint to modernising development narratives, Island Encounters tells of people’s quiet determination to maintain their relationships between their lands, waters, traditions and each other.
By foregrounding the ways in which ancestral pathways and cultural politics inform and course through everyday life on island Timor, Palmer reveals the richness of the rituals and customary practices that underpin Timorese lives and the lives of those entwined with them. And, all along the way, Island Encounters shows how Timor and its diverse peoples are working with, and re-working, confounding and being confounded by, the ever-desirous heart of development.
‘A poignant, at times heart-wrenching, honest account of life in Timor-Leste.’
— José Ramos-Horta
‘Island Encounters is a shimmery blend of anthropology, memoir and reportage. Palmer journeys her way across the island of Timor and uncovers human stories of pasts not yet passed and of an uncertain present. Island Encounters will be the definitive contemporary explainer of why things work the way they do on both sides of the border, in West Timor and Timor-Leste. Not only is Palmer a deeply knowledgeable scholar, she is an absolute dream of a writer.’
— Gordon Peake, author of Beloved Land: Stories, Struggles, and Secrets from Timor-Leste
‘Palmer is the best kind of insider-outsider to translate a culture from the inside so outsiders can understand. Living with Timorese family, Palmer has had access to levels of cultural knowledge not usually shared with outsiders and she takes readers on a journey into the Timorese psyche. Island Encounters is a great intellectual gift to everyone wanting to better understand the complex new nation of Timor-Leste.’
— Sara Niner, author of Xanana: Leader of the Struggle for Independent Timor-Leste
The Viṣṇu Purāṇa »
Ancient Annals of the God with Lotus Eyes
Authored by: McComas Taylor
Publication date: June 2021
This translation of The Viṣṇu Purāṇa is also available as a free audiobook (see the 'Additional Resources' tab).
Viṣṇu is a central deity in the Hindu pantheon, especially in his manifestation as the seductive cattle-herding youth, Kṛṣṇa. The purāṇas are sacred texts, which, as the Sanskrit name implies, are collections of narratives from ‘long ago’. The Viṣṇu Purāṇa is thus an ancient account of the universe and guide to life, which places Viṣṇu-Kṛṣṇa at the centre of creation, theology and reality itself.
This text, composed about 1,500 years ago, provides a comprehensive and accessible introduction to the most important themes and narratives that constitute the Hindu imagination: the creation and destruction of the universe, the origin of gods and mortals, the peopling of the world, and the structure and conduct of ideal brahminical society.
The Viṣṇu Purāṇa describes the trials of exemplary devotees, the existential struggles between gods and demons, and the exploits of legendary cultural heroes. It also contains many ecstatic songs of praise for the deity. The ever-popular accounts of Kṛṣṇa’s love games with the cattle-herding girls of Vṛṇdāvana, which have proliferated in literature, dance, song and visual arts over the millennia, are found here in authoritative form.
This faithful yet fluent blank-verse rendering of this great Hindu classic is the first new English translation in nearly 200 years. It will be welcomed by the scholarly community, while remaining readily accessible to a general readership.
International Review of Environmental History: Volume 7, Issue 1, 2021 »
Edited by: James Beattie, Ruth Morgan, Margaret Cook
Publication date: June 2021
Arising from the ‘Placing Gender’ workshop held in Melbourne in 2018, this collection brings together contributions that demonstrate different approaches to undertaking gender analysis in environmental history. Focusing on non-Indigenous women and men in the Anglo-world from the mid-nineteenth century, some adopt new tools to excavate familiar terrain, while others listen closely to voices that have rarely been heard in the field. This issue argues that recasting the making of settler places in terms of their gendered production and experience not only enriches their own environmental history, but also broadens the historian’s enquiry to encompass the other lands implicated in the production of settler places.
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Sound Citizens »
Australian Women Broadcasters Claim their Voice, 1923–1956
Authored by: Catherine Fisher
Publication date: June 2021
In 1954 Dame Enid Lyons, the first woman elected to the Australian House of Representatives, argued that radio had ‘created a bigger revolution in the life of a woman than anything that has happened any time’ as it brought the public sphere into the home and women into the public sphere. Taking this claim as its starting point, Sound Citizens examines how a cohort of professional women broadcasters, activists and politicians used radio to contribute to the public sphere and improve women’s status in Australia from the introduction of radio in 1923 until the introduction of television in 1956. This book reveals a much broader and more complex history of women’s contributions to Australian broadcasting than has been previously acknowledged.
Using a rich archive of radio magazines, station archives, scripts, personal papers and surviving recordings, Sound Citizens traces how women broadcasters used radio as a tool for their advocacy; radio’s significance to the history of women’s advancement; and how broadcasting was used in the development of women’s citizenship in Australia. It argues that women broadcasters saw radio as a medium that had the potential to transform women’s lives and status in society, and that they worked to both claim their own voices in the public sphere and to encourage other women to become active citizens. Radio provided a platform for women to contribute to public discourse and normalised the presence of women’s voices in the public sphere, both literally and figuratively.
Aboriginal History Journal: Volume 44 »
Edited by: Crystal McKinnon, Ben Silverstein
Publication date: May 2021
In this volume, Charlotte Ward’s narration of re-enactments of the Endeavour’s landing in Cooktown traces local processes of engaging with and producing histories that bring together stories of that landing with the much longer story of Guugu Yimithirr sovereignty. Heather Burke, Ray Kerkhove, Lynley A. Wallis, Cathy Keys and Bryce Barker analyse the extent of fear on the Queensland frontier through a historical and archaeological study of homes and huts and their fortification. In a collaborative article, Myfany Turpin, Felicity Meakins, Marie Mudgedell, Angie Tchooga and Calista Yeoh consider three performances of Puranguwana, a ‘classical’ Western Desert song that emerges from the death of Yawalyurru, a Pintupi man. Paige Gleeson offers us a new perspective on the well-known image of Warlpiri-Anmatyerr man Gwoja Tjungurrayi, known since the 1950s as ‘One Pound Jimmy’, an image featured on postage stamps and on the two dollar coin. And Gretchen Stolte’s study of Queensland Aboriginal Creations situates the production of boomerangs for sale as work of cultural importance, enriching understandings of Aboriginal artwork and its production.
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Austronesian Paths and Journeys »
Edited by: James J. Fox
Publication date: May 2021
This is the eighth volume in the Comparative Austronesian series. The papers in this volume examine metaphors of path and journey among specific Austronesian societies located on islands from Taiwan to Timor and from Madagascar to Micronesia. These diverse local expressions define common cultural conceptions found throughout the Austronesian-speaking world.
Crisis »
Edited by: Jane Golley, Linda Jaivin, Sharon Strange
Publication date: April 2021
The year 2020 was marked by a series of rolling crises. The Australian wildfires at the start of the year were a catastrophic sign of the global climate crisis. Xi Jinping’s announcement in September that the People’s Republic of China would become carbon neutral by 2060 could help alleviate the crisis, but China has to fix its coal problem first. The big story was, of course, the global COVID-19 pandemic. Appearing to originate in a Wuhan wet market, by year’s end the pandemic had claimed nearly 2 million lives worldwide, put whole countries into lockdown, and sent economies around the world tumbling into recession. China itself successfully suppressed the disease at home and recorded positive economic growth for the year — proving, at least according to the Chinese Communist Party, the ‘superiority of the socialist system’. Not everyone was convinced, with persistent questions about the CCP’s initial cover up of the outbreak, and how the lack of transparency helped it become a pandemic in the first place.
The China Story Yearbook 2020: Crisis surveys the multiple crises of the year of the Metal Rat, including the catastrophic mid-year floods that sparked fears about the stability of the Three Gorges Dam. It looks at how Chinese women fared through the pandemic, from the rise in domestic violence to portraits of female sacrifice on the medical front line to the trolling of a famous dancer for being childless. It also examines the downward-spiralling Sino-Australian relationship, the difficult ‘co-morbidities’ of China’s relations with the US, the end of ‘One Country, Two Systems’ in Hong Kong, the simmering border conflict with India, and the rise of pandemic-related anti-Chinese racism. The Yearbook also explores the responses to crisis of, among others, Daoists, Buddhists, and humourists — because when all else fails, there’s always philosophy, prayer, and laughter.