Australian Journal of Biography and History: No. 10, 2025

Description

The articles in the Australian Journal of Biography and History No. 10 cover a diverse range of people, most of them little known in the annals of Australian history. Each lived on the edges of societal expectations and norms and so raise questions about Australian identity. These articles utilise biographical methods to illuminate lives full of risk, excitement, uncertainty and unconventionality.

Bianka Vidonja Balanzategui relates the complex and conflicted story of the writer John Naish (1923–1963). Born and raised in Wales, he came to North Queensland in his twenties and produced a significant body of literature on life in the sugar cane industry and the tropical north. Uncertainty and conflict also feature in James Cotton’s article on the two years (1921–23) Edward Selby Little spent as Australian trade commissioner in Shanghai. In a brief and unhappy but still portentous career, Little was in part a victim of the ad hoc and personal nature of the policy experiments of Prime Minister W. M. Hughes, while also a victim of the machinations of his countrymen. Georgina Fitzpatrick’s portrait of Eric Shimada (Shimada Masakazu) considers an individual whose bicultural identity brought a seemingly fluent transformation from Japanese soldier to interpreter for the Australian and British occupation forces and then the International Military Tribunal in Japan.

In his article ‘A Cat with Two Tales’, Andrew Marshall examines the conflict between the Australian-born cartoonist and entrepreneur Patrick Sullivan and the American illustrator Otto Messmer over who was the rightful creator of the popular cartoon character Felix the Cat. James McDonald uses collective biographical methods to discuss the way the largely forgotten racist term ‘King Billy’ was deployed in colonial Australia to diminish and mock the status of senior Aboriginal men. Similarly, Toby Raeburn, Paul Sanders and Kerry Doyle, in their article ‘Boorong of the Burramattagai’, elevate the status of a young woman from indentured servant to important cultural and linguistic intermediary. Kate White’s article ‘Creating the Mirage’ considers the private, along with the public, lives of the 1980s business couple Christopher and Pixie Skase. This private world is also the focus of Kay Whitehead and Belinda MacGill in their article on Annie Sharpley, a teacher at Naracoorte. While Sharpley’s career seems extraordinary in length, the selfless woman teacher in a country school is a typical personification of rural education in settler countries such as Australia.