Search titles
Displaying results 1 to 10 of 13.
Human Ecology Review: Volume 28, Number 1 »
Publication date: September 2024
Human Ecology Review 28(1) features a Special Section from a collection of researchers in Nigeria, reflecting on the political and cultural influences on, and responses to, the unique social and environmental devastation of the oil-producing Niger Delta region. Across five articles and the introductory piece, the scholars address social and environmental justice and policy (Eni et al.); and examine the attempts to restore and clean up the landscape (I. Nwoma and Anyika). The focus then turns to ecoaesthetic responses in literary forms to the Nigerian landscape and cultures, with an ecocritical analysis of postcolonial ecology in Isidore Okpewho’s novel Tides (C. Nwoma); of traditionalism, modernity, and nature in Joe Ushie’s collection of poems, A Reign of Locusts (Kehinde and Egya); and concludes with an examination of the trauma of alienation from nature and homeland in Amaechi Akwanya’s collection of poems Pilgrim Foot (Onyemachi).
Following the Special Section, Schooneveldt describes a methodology for reframing how we perceive the agency of other organisms; Warner refines and develops governance principles for assisted species migration; and Zhang and Guo explore informal institutions in China and their role in mediating pro-environmental behaviours.
Re-imagining Japan after Fukushima »
Authored by: Tamaki Mihic
Publication date: March 2020
The 2011 Tōhoku earthquake, tsunami and Fukushima nuclear disaster (collectively referred to as ‘3.11’, the date of the earthquake), had a lasting impact on Japan’s identity and global image. In its immediate aftermath, mainstream media presented the country as a disciplined, resilient and composed nation, united in the face of a natural disaster. However, 3.11 also drew worldwide attention to the negative aspects of Japanese government and society, thought to have caused the unresolved situation at Fukushima.
Spurred by heightened emotions following the triple disaster, the Japanese became increasingly polarised between these two views of how to represent themselves. How did literature and popular culture respond to this dilemma? Re-imagining Japan after Fukushima attempts to answer that question by analysing how Japan was portrayed in post-3.11 fiction. Texts are selected from the Japanese, English and French languages, and the portrayals are also compared with those from non-fiction discourse. This book argues that cultural responses to 3.11 had a significant role to play in re-imagining Japan after Fukushima.
Himalayan Dreaming »
Australian mountaineering in the great ranges of Asia, 1922–1990
Authored by: Will Steffen
Publication date: November 2017
How did climbers from the world’s flattest, hottest continent become world-class Himalayan mountaineers, the equal of any elite mountaineer from countries with long climbing traditions and home ranges that make Australia’s highest summit look like a suburban hill? This book tells the story of Australian mountaineering in the great ranges of Asia, from the exploits of a brash, young colonial with an early British Himalayan expedition in the 1920s to the coming of age of Australian climbers in the 1980s. The story goes beyond the two remarkable Australian ascents of Mt Everest in 1984 and 1988 to explore the exploits of Australian climbers in the far-flung corners of the high Himalaya. Above all, the book presents a glimpse into the lives – the successes, failures, tragedies, motivations, fears, conflicts, humor and compassion – themselves to the ultimate limits of survival in the most spectacular and demanding mountain arena of all.
Joro's Youth »
The first part of the Mongolian epic of Geser Khan
Authored by: Igor de Rachewiltz, Li Narangoa
Publication date: February 2017
The epic of King Gesar of Ling is the national oral epic of Tibet, sung by itinerant bards in their land for many centuries but not recorded in print until recent times. Spreading widely beyond Tibet, there are extant versions in other languages of Central Asia. The first printed version is from Mongolia, produced on the orders of the Kangxi emperor of the Manchu Qing dynasty in the early 18th century. In the process of transmission, the original saga lost much of its Tibetan flavour, and this Qing edition can be regarded as a genuine Mongolian work. Its hero, Geser Khan in Mongolian, became a folk-hero, later deified both in China and Mongolia. Geser’s mission is to save the world from endemic evil and strife, bringing peace to all. Although he himself is the son of a god, Geser as a human is unpredictable, romantic and funny, and many of his adventures belong to the picaresque. This translation of the first, and one of the longest, chapters of the epic covers his miraculous birth, his turbulent youth, and his marriage to the beautiful Rogmo Goa. It celebrates and commemorates the 300th anniversary of the printing of the epic in Peking in early 1716.
craft + design enquiry: issue 7, 2015 »
Landscape, Place and Identity in Craft and Design
Edited by: Kay Lawrence
Publication date: November 2015
craft + design enquiry is an open-access, peer-reviewed journal promoting and disseminating research excellence generated by and about the craft and design sector. craft + design enquiry investigates the contribution that contemporary craft and design makes to society, establishing a dialogue between craft and design practice and cultural, social and environmental concerns. It includes submissions from across the field of craft and design from artists and practitioners, curators, historians, art and cultural theorists, educationalists, museum professionals, philosophers, scientists and others with a stake in the future developments of craft and design.
Download for free
Not available for purchase
craft + design enquiry: issue 6, 2014 »
Craft • Material • Memory
Edited by: Anne Brennan, Patsy Hely
Publication date: August 2014
craft + design enquiry is an open-access, peer-reviewed journal promoting and disseminating research excellence generated by and about the craft and design sector. craft + design enquiry investigates the contribution that contemporary craft and design makes to society, establishing a dialogue between craft and design practice and cultural, social and environmental concerns. It includes submissions from across the field of craft and design from artists and practitioners, curators, historians, art and cultural theorists, educationalists, museum professionals, philosophers, scientists and others with a stake in the future developments of craft and design.
Download for free
Not available for purchase
craft + design enquiry: issue 5, 2013 »
A World In Making: Cities Craft Design
Edited by: Suzie Attiwill
Publication date: September 2013
craft + design enquiry is an open-access, peer-reviewed journal promoting and disseminating research excellence generated by and about the craft and design sector. craft + design enquiry investigates the contribution that contemporary craft and design makes to society, establishing a dialogue between craft and design practice and cultural, social and environmental concerns. It includes submissions from across the field of craft and design from artists and practitioners, curators, historians, art and cultural theorists, educationalists, museum professionals, philosophers, scientists and others with a stake in the future developments of craft and design.
Download for free
Not available for purchase
craft + design enquiry: issue 3, 2011 »
Sustainability in Craft and Design
Edited by: Kevin Murray
Publication date: December 2012
craft + design enquiry is an open-access, peer-reviewed journal promoting and disseminating research excellence generated by and about the craft and design sector. craft + design enquiry investigates the contribution that contemporary craft and design makes to society, establishing a dialogue between craft and design practice and cultural, social and environmental concerns. It includes submissions from across the field of craft and design from artists and practitioners, curators, historians, art and cultural theorists, educationalists, museum professionals, philosophers, scientists and others with a stake in the future developments of craft and design.
Download for free
Not available for purchase
craft + design enquiry: issue 4, 2012 »
Relational Craft and Design
Edited by: Rosemary Hawker, Peter McNeil
Publication date: October 2012
craft + design enquiry is an open-access, peer-reviewed journal promoting and disseminating research excellence generated by and about the craft and design sector. craft + design enquiry investigates the contribution that contemporary craft and design makes to society, establishing a dialogue between craft and design practice and cultural, social and environmental concerns. It includes submissions from across the field of craft and design from artists and practitioners, curators, historians, art and cultural theorists, educationalists, museum professionals, philosophers, scientists and others with a stake in the future developments of craft and design.
Issue 4, Relational Craft and Design is guest edited by Professor Peter McNeil (University of Technology Sydney) and Dr Rosemary Hawker (Griffith University). They summarise of the intent and content of Issue 4 as follows. “While definitions of craft and design are diverse, we can be sure that today they are embraced by the broader arts and humanities in a way they have not been since the 19th Century. This issue addresses a series of issues affecting the relationship between design and the crafts in a world that is often perceived as problematically ‘globalised’ and the same. What are the processes through which local producers, entrepreneurs and consumers, operating from both cosmopolitan and provincial sites, interact to create connections in this global context? A surprising number of papers with a strong historical focus came forward.” Six papers by Sally Gray, Juliette Peers, Jess Berry, Sera Waters, Sandra Loschke and Richard Read were selected for publication in this issue.
Download for free
Not available for purchase
Experiments in Modern Living »
Scientists’ Houses in Canberra 1950–1970
Authored by: Milton Cameron
Publication date: May 2012
When a group of brilliant young scientists arrived in Australia’s national capital after World War II to take up leading roles in the establishment of national research institutions, they commissioned Australia’s leading architects to design their private houses. The houses that resulted from these unique collaborations rejected previous architectural styles and wholeheartedly embraced modernist ideologies and aesthetics. The story of how these progressive clients contributed to the innovative design of their houses brings fresh insights to mid-twentieth-century Australian domestic architecture and to Canberra’s rich cultural history.