By 2000, a ruthless military regime had ruled Myanmar for more than a decade, polarising opinion inside and outside Burma/Myanmar — with Western countries locked into non-UN sanctions and Asian countries and the rest of the world locked into unenthusiastic cooperation with Myanmar. While the United Nations and its agencies faced numerous obstacles as they sought to encourage national reconciliation in Myanmar, conditions in Myanmar were slowly starting to change.

Outstations, which dramatically increased in numbers in the 1970s, are small, decentralised and relatively permanent communities of kin established by Aboriginal people on land that has social, cultural or economic significance to them. In 2015 they yet again came under attack, this time as an expensive lifestyle choice that can no longer be supported by state governments.

The Pacific War and its aftermath radically transformed Australian perceptions of what was then called the ‘Near North’. Many recognised that in the postwar world Australia’s strategic interests and economic fortunes called for a new understanding of Asia and the Pacific. China loomed large in these calculations.

Since 2009 there has been a fundamental shift in the way that the Pacific Island states engage with regional and world politics. The region has experienced, what Kiribati President Anote Tong has aptly called, a ‘paradigm shift’ in ideas about how Pacific diplomacy should be organised, and on what principles it should operate. Many leaders have called for a heightened Pacific voice in global affairs and a new commitment to establishing Pacific Island control of this diplomatic process.

Aboriginal and Torres Strait Islander people have been protecting country since time immemorial. One way they have continued these traditions in recent times is through service in the Australian military, both overseas and within Australia. In Defence of Country presents a selection of life stories of Aboriginal and Torres Strait Islander ex-servicemen and women who served in the Australian Army, Navy and Air Force after World War Two.

Volume 39 presents a special section on Aboriginal war service, edited by Allison Cadzow, Kristyn Harman and Noah Riseman. The contributors reappraise narratives and foster new avenues of inquiry, particularly on the impact of war service on families and communities, and explore how the entrance of Aboriginal men into Australian military service disrupted accustomed notions of defence of country. John Maynard extends this service back to the South African Anglo-Boer War.

East Asia Forum Quarterly grew out of East Asia Forum (EAF) online, which has developed a reputation for providing a platform for the best in Asian analysis, research and policy comment on the Asia Pacific region in world affairs. EAFQ aims to provide a further window onto research in the leading research institutes in Asia and to provide expert comment on current developments within the region.

Human Ecology Review is a semi-annual journal that publishes peer-reviewed interdisciplinary research on all aspects of human–environment interactions (Research in Human Ecology). The journal also publishes essays, discussion papers, dialogue, and commentary on special topics relevant to human ecology (Human Ecology Forum), book reviews (Contemporary Human Ecology), and letters, announcements, and other items of interest (Human Ecology Bulletin).

Bruce Hamon’s They Came to Murramarang, first published in 1994, provides a unique combination of local history and personal recollections from a writer who witnessed the transformation of the Murramarang region from the timber era to modern times. This new edition retains the original character of Bruce’s engaging prose with additional chapters relating to Bruce’s life, the writing of the book, the Indigenous history of the region and the transformation of the area since the book was written. The book has also been enhanced by the insertion of additional photographs.

During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike.